Katie Pound stars in Anne of Green Gables

As published in The Erin Advocate

Erin’s Katie Pound seems to be well suited for the role of Anne Shirley, which she plays in an upcoming production of Anne of Green Gables in Georgetown.

Like Anne, she exudes confidence and takes on challenges with enthusiasm. She also has the vocal training and stage experience to handle a major role.

“Anne is positive all the time – she doesn’t let the judgment of others get to her,” says Katie. “She is a strong-headed little girl, who sometimes has to take things into her own hands.”

Katie has been very busy with rehearsals this fall, since she is also in the musical Legally Blonde at Mayfield Secondary School in Caledon, where she is a Grade 11 student in the Performing Arts Program. That show runs November 5-7.

Globe Productions presents the musical Anne of Green Gables at the John Elliott Theatre, November 20-29, directed by David Ambrose, with music director Darryl Burton, choreographer Cheri Lindsay-Jarvis and producer Lori Girvan. Go to globeproductions.ca for show details.

The stage play is based on the famous novel by Lucy Maud Montgomery, another strong, positive character who lived for a time in Norval. The story follows the adventures of Anne as she adapts to life in the conservative Prince Edward Island community of Avonlea in the early 1900s. She arrives as an orphan at a farm where they had wanted a boy to help with the chores.

She has to deal with the strictness of Marilla Cuthbert (played by Michelle Gardner) and finds a kindred spirit in her shy brother Matthew Cuthbert (Mark Llewellyn). “Marilla is not mean, but wants to bring Anne up right,” says Katie. Ultimately, Anne charms the entire town with her imagination and heart.

The show provides an opportunity for singing, acting and dancing, and Katie tries to be a good role model for the young kids in the cast.

Starting singing lessons when she was 11, she was introduced to a variety of music such as jazz. She sang in talent shows (including first place at the Erin Fall Fair) and various choirs. She is grateful to Nick Holmes for the opportunity to participate the Kids Can Act program in Hillsburgh, with productions such as Charlotte’s Web and A Midsummer Night’s Dream.

Now she enjoys the opportunity of being in the spotlight, and is serious about pursuing a career in the performing arts. She is exploring an interest in opera, with coaching from renowned tenor Mark Dubois, and attending a master class where she was critiqued by famous New York soprano Aprile Millo.

She went to Italy in July for a program hosted by Millo, with lessons in Italian language, culture and opera repertoire, and a performance with an audience that included the granddaughter of famed opera composer Giacomo Puccini.

In a culture where musical interests tend to fixate on pop singers and their latest videos, Katie is getting a unique and well-rounded education, which will stand her in good stead throughout her life.

A new comedy and a new music series

As published in The Erin Advocate

This past weekend was a fine one for entertainment in Erin, with a new comedy opening at Century Church Theatre and the first concert presented in a new monthly folk music series at the Busholme Inn.

The theatrical offering is A Bench in the Sun, written by Ron Clark and directed by Jo Phenix. Young folks could well enjoy the show, but it is probably funnier for those who can relate to the antics of two grumpy old men competing for the attentions of a mature actress who moves into their retirement home.

Neville Worsnop plays Harold, a dapper fellow who is very proud of his life’s adventures, and never ceases to brag about them to his childhood friend Burt, with whom he now shares a sunny bench.

Wayne Moore plays Burt, a retired accountant who is fixated on his newspaper and haunted by a conflict from his past. He naps so often that he wears pajamas all day – this is, until he takes an interest in Adrienne, played by Vickie Forsyth.

The aging movie star has a glittering hair-do and a relentlessly sunny disposition, which certainly perks up the lives of the menfolk – whose previous entertainment consisted of antagonizing each other with constant arguments.

Michelle Moore provides the voice of the retirement home PA announcer, introducing each scene with slice of seniors humour.

Neville Worsnop, Wayne Moore and Vickie Forsyth

The story is about the frailties of advancing age, and the frustrations of relationships at any age, all simmered together in a stew of puns, witty wordplay and physical gags. And while true love remains elusive, the two men are eventually able to resolve a long-standing conflict.

It is a mellow comedy, and sometimes that’s just what the doctor ordered. The show continues this Friday and Saturday evening, and Sunday afternoon. Go to centurychurchtheatre.com for more details.

Meanwhile, at the Busholme, Erin was treated to the fine voices of Tannis Slimmon from Guelph, and Clela Errington from Toronto. Each had their own sets, but provided backup vocals for each other on selected songs.

It was the first in a series of monthly concerts called Erin Roots, organized by Folk Roots Radio host Jan Hall of Hillsburgh. She’s promising a broad mix of folksy / bluesy / alternative acoustic music.

Clela Errington

Clela Errington’s music leans towards soulful jazz – passionate and upbeat, but very relaxed, with some nice ukulele and harmonica work to supplement her guitar playing.

Her voice has a huge range, and she’s able to sing lightly, but with richness and power at the same time. She has four albums, the most recent being More Love and Happiness.

Tannis Slimmon is well-known on the folk festival scene, both as a solo artist and as part of various groups including The Bird Sisters, during a career of 30+ years. She has a way of engaging and uplifting an audience, whether the song is happy or sad.

Tannis Slimmon

In 2008 she was named Contemporary Vocalist of the Year at the Canadian Folk Music Awards for her album Lucky Blue. Her 2013 album In & Out Of Harmony was produced by her musical partner Lewis Melville, who provided the second guitar and vocals during Saturday’s concert.

Melville is a wizard with his guitar improvisations, and he’ll be back on October 24 for the next Erin Roots concert, teaming up with Ian Pattison in Banjo Mechanics. Also featured will be the blues guitar and cello duo of Dennis Gaumond and Jen Gillmor, who go by the name Jennis.

Ambitious plan studied for economic development

As published in The Erin Advocate

Erin’s new Economic Development Action Plan outlines a series of initiatives that will build some valuable momentum towards a stronger community, for the benefit of local businesses and residents.

Town council received the first draft of the plan, written by Economic Development Coordinator Bob Cheetham, on August 11. They hope to finalize it in September, as a guide for the next four years.

“It’s an aggressive plan – a roadmap to follow,” said Cheetham. “It’s a transparent process, and it’s always open to change. It will take the leadership of the municipal council to foster a proactive, collaborative presence and respond to the desire for change and managed growth within the Town of Erin.”

Written comments and suggestions from the public about the 68-page draft plan were requested by August 25 – a very brief opportunity, especially during the summer.

On the other hand, people have had many opportunities to comment on most of these issues in recent years, and can provide input to council and staff at any time.

The Action Plan draft can be downloaded from the Economic Development page, under Departments on the Town website, www.erin.ca.

Even if you don’t expect to offer suggestions, the document is a good read for anyone who cares about the community – an overview of what’s going on, or could soon be surfacing.

On September 3, the draft and the public comments will go for further discussion to the Erin Economic Development Committee, which along with four sector focus groups helped create the plan. The final version will be presented to Town Council for approval on September 15.

If councillors disagree with parts of the Action Plan, or feel that more public input is needed, they should seek agreement on amending it or deferring some sections. But they must avoid the trap of endless talk and no action. Some version of the plan should be approved soon, to move the process to specific measures in a “doing” phase.

The plan is not carved in stone, but is rather a framework in which “action” can actually take place. Council should choose some targets and get on with them.

While there are 51 initiatives in the plan, six are rated as “top priority”. One is to hire an Economic Development Officer – Cheetham has been on a one-year contract since last November, and expects to pass the torch to a permanent staff person.

Others include establishment of an overall Community Improvement Plan that would benefit targeted areas. There should be applications for funding for a feasibility study on a Riverside Trail / Boardwalk, and for developing Erin as an “Equine Hub”.

The Plan urges council to develop terms of reference for the Wastewater Environmental Assessment and to move forward with it, and to provide direction on which urban areas should get sewer servicing.

All of the suggested actions work towards achieving various goals: fostering a more positive business climate, building partnerships with business groups and government agencies, establishing Erin as a premier location for equine enthusiasts, promoting the town as a tourism destination and developing a sustainable economy.

Some actions relate to retaining existing business, supporting the development of under-used business properties, encouraging growth in sectors where Erin has an advantage and diversifying the economy to be more resilient.

Here is a sampling of just a few of the other action items:

• Develop a Community Profile (print and web-based);

• Work with the County for a Main Street Crosswalk in Erin village;

• Undertake a Trails Master Plan;

• Establish public washroom facilities in Erin village;

• Host a regular Business Showcase event;

• Undertake an “Open for Business” marketing campaign;

• Promote Bed and Breakfast businesses;

• Work with Headwaters Tourism on a Four-Seasons Attractions Strategy;

• Investigate a St. Patrick’s Day Festival in March;

• Investigate a winter skating environment on the Charles Street pond;

• Undertake a Transportation and Parking Plan for the urban centres of Hillsburgh and Erin village.

Belfountain Festival has classical music for all ages

As published in The Erin Advocate

The Belfountain Music Festival presented a special children’s concert on Sunday afternoon, as part of an ambitious classical music series being held over 11 days at the Melville White Church on Mississauga Road. 

The festival continues until this weekend, bringing together a collection of professional musicians in small ensembles, playing compositions mainly by the big names in classical music. It also provides performance opportunities for many student musicians. 

Violinist Urszula Zielinski Brock leads the children in a march.

The children’s concert started out with a little Eine kleine Nachtmusik, from the 1st Movement of Mozart’s 1787 Serenade in G Major, putting a nice, light touch on a famous melody. 

The “Hear the Music” quartet, which also plays in schools, consists of Zachary Ebin (Artistic Director for the festival) and Urszula Zielinski Brock on violins,
Alex McLeod on viola
and Tova Rosenberg on cello. 

Cellist Tova Rosenberg helps 4-year-old Anna Simonyi 

try her hand on the big instrument.

Some of the tunes were classic, if not quite classical, such as the ever-popular Twinkle, Twinkle Little Star (with variations, of course). 

There were a couple of Bach minuets, and the kids were invited to show with a happy-face – sad-face sign when the music switched between cheery and melancholy. The quartet had them marching like toy soldiers, dancing with scarves and relaxing to Brahms’ Lullaby. 

It was an educational effort as well, with the kids answering questions and learning how the cello makes the low sounds, the viola handles the medium range and the violins hit the high pitches. It was a short concert at just over 30 minutes, which was probably just right for the three and four-year-olds, but the slightly older audience members would have enjoyed a bit more. 

The show had a good follow-up, with everyone invited to the stage to try out instruments and ask questions. So all in all, it was an excellent family affair, which helped the kids appreciate good quality classical music. 

It was just one of 17 concerts and other events in the festival. Last Saturday there was old-time country music and dancing, featuring Rod Salisbury on piano, Brian Stevenson on drums, Sam Leitch on fiddle, Wib Tupling on guitar and Lionel Gibney on bass. 

Prominent on the schedule is pianist Maria Dolnycky, who with Zachary Ebin has recently released a CD entitled “Dreams: A Revival of Ukrainian Music”. 

After the Thursday night (August 6) concert featuring the Glenellen String Quartet, there will be a campfire sing-along led by composer-educator Dean Burry. 

The Friday night concert has Alex McLeod on viola and Jeannine Maloney on piano, with mezzosoprano Arianna Maubach. Saturday night it is The Accolade Trio: Patricia Wait on clarinet, Mark Chambers on cello and Elizabeth Acker on piano. The final concert Sunday night is a solo performance by singer and pianist Emily Vondrejs. 

Admission to most of the concerts is $20 for adults and $5 for children, but admission to a series of student concerts and demonstrations is free. Full details are available at www.belfountainmusic.com. 

Singer’s stories bring underworld memoir to life

As published in The Erin Advocate

I’m reading a book called Davy the Punk, a tribute to a famous Toronto bookie, published by Porcupine’s Quill in Erin.

It was written by his son Bob Bossin, one of the founders of Stringband, an independent group that had its heyday in the 1970s with songs about Canada and issues of politics and the environment.

“Bob is a great political singer-songwriter,” says Erin’s Jay Mowat, who knew Bossin from the folk festival circuit.

Bossin retells stories about his dad, and by his dad, some of which are probably true. Davy the Punk was a Jewish bookie who ran a horse racing wire in the 1930s and ‘40s, broadcasting information to other bookies using the telephone system.

He was a “bookie’s bookie” who connected Toronto’s underworld to the North American betting racket and later ran a talent agency that brought in big name performers.

Davy the Punk is about anti-Semitism in Canada, the mob and the colourful characters that played their parts on the flip side of Toronto the Good.

Tim Inkster of Porcupine’s Quill was acquainted with Bossin when they both freelanced for the Varsity newspaper at the University of Toronto in the late 1960s.

“I was a bit of a fan of Stringband, and especially their big hit, Dief Will Be the Chief Again,” said Inkster. The 1974 song was a jowl-in-cheek tribute to former Prime Minister John Diefenbaker, based on a comment made by Bossin’s buddy Bob Rae after watching Muhammad Ali regain his boxing title.

Stringband never had a deal with a major record label or much play on commercial radio, but developed a loyal following through performances. They were also known for their independent methods, including an early form of crowdfunding – soliciting donations from friends and fans to finance an album in 1977.

Porcupine’s Quill has developed a national reputation for publishing memoirs and was in a good position to present Bossin’s stories (and historical photos) in an attractive format. The book came out last year and they have just completed the first reprint. For more information, go to davythepunk.com or porcupinesquill.ca.

I am about halfway through the book so far and it is quite engaging – a mix of family history, horse racing, the scramble to prosper in hard times and a culture in which criminals could earn public respect. It is about corruption in business, law enforcement and politics – and the crusaders who were determined to stamp out the evils of gambling.

Bossin has done his research and included many factual details about organized crime and Toronto’s sporting scene, but readily admits that he cannot be certain about how much his dad may have embellished the truth. It doesn’t really matter though, since it is a story about storytelling. The outrageous tales give the book some real sizzle.

More than 10 years ago, Mowat made a contribution to a fundraising effort for a Stringband album. In thanks, Bossin promised him a performance, but they were never able to arrange it, until now.

I’m looking forward to Bossin’s touring one-man show, coming to David’s Restaurant in Erin on Saturday, April 25, at 8 pm. The Winnipeg Free Press calls it “humorous and sentimental”, and Eric Stein of the Ashkenaz Festival in Toronto says, “Bob’s intelligence, erudition and folksy charm combine in an intimate musical theatre experience.”

Tickets are $20 and can be obtained by calling Mowat at 519-833-3383 or emailing info@willowcreekonline.ca. The price does not include dinner, but reservations can be made for dinner before the show by calling 519-833-5085.

Erin Radio is back in town

As published in The Erin Advocate

After a brief stay in Fergus, the Erin Radio studio is back on the Main Street of Erin village, with a team dedicated to local programming.

“We’re starting fresh and getting back to our roots,” said Ronia Michael, who took over as Chair of the CHES-FM Board of Directors last week.

Weekday content will include popular music and community information, but they are planning to have more specialized shows with local hosts, guests and musicians in the evenings and on weekends. There is a new website, erinradio.org, and an Erin Radio 88.1 Facebook page.

The radio station still broadcasts at 88.1 FM from the Erin water tower, as it continued to do when production was shifted last year to Centre Wellington Community Radio in Fergus as a way to cut costs.

The Fergus group, which operates The Grand FM 92.9, had come to the rescue of the Erin operation in 2012, investing in equipment, operating a local studio as the Headwaters New Mix, adopting a more commercial style and hoping to tap into more of the Orangeville market.

With lack of advertising revenue from Erin and the recent refusal of the CRTC to allow an additional transmitter in Orangeville, the Fergus group was not willing to continue. They have returned the station to some of the people who founded it in 2006.

“It was great to build a station, but we couldn’t make it work,” said Chair Larry Peters. He has resigned from the board along with Scott Jensen and Vic Folliott. “It’s community radio, but you have to run it as a business,” said Jensen.

Remaining on the board are Ronia Michael and Sales Coordinator David MacDonald, while returning are Treasurer Jay Mowat, Music Director Phil Taylor, Fundraising Co-ordinator Ray Young and Producer Rob Dodds.

“I want to thank 92.9 for being supportive,” said Michael. “We’re very grateful for your help through this transition period – for two years you have kept us on the air. You’ve gone above and beyond.”

Taylor said while listeners can still expect some familiar popular music, there will be more variety, with a greater focus on independent Canadian artists.

Erin Radio will continue as a volunteer-based non-profit venture, keeping costs as low as possible. Erin United Church has donated space for their new studio, which went live on January 5. Arrangements are being made for on-line listening.

Michael appreciates the local community cooperation she has experienced while bringing the new team together, and has special thanks for Doug Bingley of Barrie, whose company Central Ontario Broadcasting operates the Toronto-based radio station Indie 88.1.

She said Bingley supports community radio and has made a partnership with CHES, providing a donation to help with transition costs.

Bingley won the competition to use the 88.1 frequency in 2012 after the Ryerson University station lost its CRTC license. Indie 88.1 plays 60% of its Canadian music from emerging artists – those who have never had a hit single.

Bingley’s station shares the 88.1 frequency with Erin Radio and is not allowed to overpower the Erin signal. The transition of radio reception between the two stations occurs in the south part of the Town of Erin, near 5 Sideroad.

When the Toronto station wants to increase the power of its transmission, it has an interest in helping Erin Radio boost its power, to balance the signals and maintain the territories. Mowat said Erin has benefited from this situation, and may do so again.

Fab Four make a splash at David’s

As published in The Erin Advocate

The Fab Four band took Erin on a colourful trip down memory lane Saturday night, lighting up David’s Restaurant with their tribute to The Beatles.

It wasn’t exactly the Ed Sullivan Theatre, but there was plenty to stimulate the nostalgic imagination of a room packed with fans old enough to remember the original band’s New York appearances on three consecutive Sundays in February 1964.

It was part of a plan by restaurateur David Netherton to make dinner entertainment a bigger part of Erin’s image, by bringing in bigger acts like ones that used to be popular when Stage West Dinner Theatre operated in Mississauga.

“There’s only so many entertainment dollars, but people will pay for quality,” said Netherton, who tries to do something special about once a month. It has ranged from Yuk Yuk’s comedy and musicians of good repute to dinner shows by Erin Community Theatre – their 8th annual Christmas show, The Art of Believing, runs December 10-19, with details at www.erintheatre.ca.

Restaurant owner David Netherton with members of the Fab Four tribute
band (left to right) Mark Harrison as Paul, John McDonald as John,
John Turfryer as Ringo and Tom Walsh as George.    

As Erin builds up its destination profile, Netherton is hoping to schedule a series of shows and perhaps work with other local businesses to sponsor bus trips to the area that would combine the town’s natural beauty with shopping, dining and entertainment.

Century Church Theatre in Hillsburgh has been attracting customers from far afield for many years, with an annual brochure packed with theatre and music, both professional and amateur. Their 10th annual traditional English pantomime, Snow White and the Famous Seven, runs November 21-30, and singer Debbie BeChamp leads A Country Christmas matinee on December 7. Details are at www.centurychurchtheatre.com.

Netherton is able to fill his banquet room using posters in the restaurant and around town, website and Facebook promotion, a monthly e-newsletter and flyers in The Advocate to get the word out.

The Toronto based Fab Four put on an energetic performance, with lots of attention to detail in Beatles costumes, hair, instruments and re-creation of the music without any pre-recorded sound or digital tricks.

Naturally, they follow a timeline, starting with simple early hits like All My Loving and She Loves You, progressing to Sgt. Pepper’s Lonely Hearts Club Band and Hard Day’s Night, and mellowing out with Imagine and Hey Jude.

There was lots of audience participation with dancing, clapping and, when requested, screaming women. Stand-out vocals and stage presence were provided by Mark Harrison on the left-handed bass as Paul and John McDonald as John, with Tom Walsh as George and John Turfryer as Ringo taking their turns to make sure that a good time was had by all.

Staying busy with this, that & the other thing

As published in the Erin Advocate

It always seems like there’s more stuff going on than a person could ever get to, but on one recent weekend I tried to cram in as much as possible. After helping to build picnic tables for the new Riverside Park in Erin (official opening soon) and doing a ton of garden work, I got to four local events.

Rock ‘n’ Roll etc. at Legion
Thanks to Jerry Staples and Norma Pokocky for making everyone feel welcome at their Band Showcase and Jam at the Erin Legion. They had invited four bands to come out and play for fun, and the music was good.

Between the main sets Jerry and Norma did some guitar pieces in classical style. I brought my guitar and did a few selections from my songbook.

They’ve been having these jams for a couple of years, and people are welcome to show up and play on their own or with an informal group. Or just have a beer and listen. The next one is on October 18, starting at 7 pm. Admission is $5.

Demanding action on climate change
A group of eight Erin area residents was among the 300,000 plus at the New York Climate March.

“This event will serve as a huge signal to the powers-that-be that drastic actions and a commitment to huge reductions in greenhouse gases are needed when nations of the world gather in Paris in December 2015 to ratify a new climate agreement, in order to preserve a livable climate,” said marcher Liz Armstrong.

Meanwhile, a group met at the All Saints church hall to show some solidarity with the travellers (one of 2,646 rallies in 162 countries) and see an excellent film called Disruption, presented by Transition Erin. Check it out at www.watchdisruption.com, or visit www.peoplesclimate.org and www.citizensclimatelobby.ca

The Value Crisis
A large crowd turned out to a book launch at the Historic Alton Mill Arts Centre, in support of author Andrew Welch, who is also Town Crier for Erin and Caledon and a leader with Transition Erin.

His book, entitled “The Value Crisis – From dollars to democracy, why numbers are ruining our world”, provides an entertaining and thought-provoking analysis of our value systems.

It seems the more we rely on numbers and dollars to measure value, the less attention we pay to traditional systems that could support a better quality of life. The website: www.thevaluecrisis.com.

Interfaith Speakers Series
Speaking of traditional value systems, I ventured over to a fascinating talk on the ancient Hindu faith by Shirish Nathwani. It was sponsored by Central Peel United Churches and organized by Rev. Felicia Urbanski of Erin United.

“Our communities are becoming more diverse, so it’s important to be in dialogue and see the face of each religion by meeting the people,” she said. The next session is October 26, 2-4 pm at Caledon Village Place, with Idrisa Pandit speaking on the Muslim faith.

Election stuff
Voters should have received their mail-in ballots by now for the municipal election – if not they should call the Town at 519-855-4407. Kits can be returned by mail until October 18, or in person to the Municipal Office any time until 8:00 pm on Election Day, October 27.

Municipal office hours are extended on Thursday, October 23 to 8:00 pm and they are open on Saturday, October 25 from 10 am to 2 pm. Voters may also deposit their kits after hours through the mail slot at the office main entrance.

Previously I had written that a sealed ballot box would be attached to the mail slot, but actually it is the whole entranceway that is sealed off so that only election officials will have access to kit envelopes.

Church hosts Belfountain Music Festival

As published in The Erin Advocate

Fine performances on piano and violin launched the Belfountain Music Festival on Sunday afternoon – a week-long celebration of classical music at the historic Melville White Church on Mississauga Road.

Presented by the Belfountain Heritage Society, the series of concerts will culminate with a free performance this Sunday afternoon.

The opening concert featured pianist Maria Dolnycky, who is helping to revive the music of several Ukrainian composers whose work was suppressed in the Soviet era, and violinist Zachary Ebin, who has brought together a wide array of performers for this festival.

Zachary Ebin

The small church built by Erin founder Daniel McMillan in 1837 may not deliver the acoustic purity of a concert hall, but the opportunity to be so close to the performers provides a captivating experience.

The first work was Dreams, by Viktor Kosenko, which is also the title of a CD created by Dolnycky and Ebin with this program of Ukrainian music. It is a flowing, hopeful piece, with a graceful interplay of instruments and some intriguing chromatic passages.

Maria Dolnycky

Sergei Bortkiewicz’s Sonata for Violin and Piano provides opportunities for deep, rich notes, tentative at first, but then with a massive outburst of pounding fury that resolves to mellowness. The andante movement is pensive and mournful at times, but always pushing and gathering up energy. It is released again in the third movement, where light touches and trills give way to heavy crescendos.

Morning Mood was a sampling of a miniature tonal work by Nikolai Roslavets, whose innovative compositions made him a particular target for Stalin’s music police. They declared him a “non-person” and purged him from music encyclopedias. His work was officially banned in 1930, but today performers and scholars are rediscovering it.

Vasyl Barvinsky was sentenced to ten years in a Soviet concentration camp after authorities branded his impressionistic music as “formalist”. Sunday’s concert featured three of his playful pieces based on Ukrainian folk melodies.

Dolnycky and Ebin finished with a suite of short pieces by Bortkiewicz, featuring strong, melodies, recurring themes with variations and a light-hearted touch.

All of the festival concerts take place at the Melville White Church, 
15962 Mississauga Road. Tickets and more details are available at www.belfountainmusic.com.

In other concerts scheduled earlier this week, violinist Amanda Lee and pianist Melisande Sinsoulier were featured on Monday, while Ebin was joined by violinist Caxton Jones on Tuesday.

This Thursday, July 10, there is a students’ concert at 4 pm. At the 8 pm evening show, violist Alex McLeod and pianist Jeannine Maloney will perform works by Bach, Brahms and Shostakovich.

On Friday at 8 pm, Dolnycky will be joined by flautist Julia Ranti and violist Mark Norris, with a program that includes Bach, Gluck, Debussy and Prokofiev. On Saturday at 8 pm, violinists Jennifer Martyn and Julia McFarlane will play a program that includes Bartok, Telemann, Mozart and Prokofiev.

Tickets are $20 for most concerts ($5 for children), but admission is free for the finale on Sunday, July 13 at 3 pm.

Ebin will be joined again by Dolnycky and will direct student members of the Arco Violini Ensemble. Works will include duos by Mozart and Bartok, Beethoven’s Minuet in G, Handel’s Bourrée, Bach’s Minuet, McLean’s Little Fandango, Pachelbel’s Canon in D-major, Anderson’s Plink Plank Plunk and Clebanoff’s Millionaire’s Hoedown.

Paying tribute to Stompin’ Tom’s philosophy

As published in The Erin Advocate

The newly installed monument at the grave of Stompin’ Tom Connors at Erin Union Cemetery is a testament to his love of Canada and his philosophy of trying to stay in balance while travelling through life.

The memorial includes an image of the famous songwriter imposed on a map of Canada, the lyrics of his favourite song, “I Am the Wind”, a red granite maple leaf on top of a chess piece and his own epitaph that says, “They haven’t heard the last of me”.

Thomas Charles Connors lived in the Ballinafad area and passed away on March 6 last year due to kidney failure, at the age of 77. Buried with him are the ashes of his mother Isabel Sullivan (nee Connors), who died in 2007. Until the tombstone was installed, the location of the gravesite was not widely known.

Stompin’ Tom was known for his down-to-earth songs about Canada, achieving wide popularity with dozens of albums, and as a passionate advocate for Canadian culture. He was also a spiritual thinker who believed in reincarnation, writing these words for his tombstone:

“The body has returned to sod,
The spirit has returned to God.
So on this spot, no need for grief,
Here only lies a fallen leaf.
Until new blossoms form in time,
The tree is where I now reside.
But with this poem, as you can see,
They haven’t heard the last of me.”

“He believes that we come and go as a spirit,” said his son Tom Jr. in an interview, always referring to his father in the present tense.

“We enter a body this time around, and when the body's done, then the spirit goes back to the tree of life, so to speak, and then the tree blossoms again the next year and you become a new leaf. It's a cycle of life that he's getting at.”

The maple leaf on the stone is engraved with “101”. It does not refer to that number value, but to a way of thinking about life. Instead of competing to be at the top on a 1 to 10 scale, he favoured zero as an ideal at the centre of the range of possibilities.

“He would always say he's a zero, because you can go on the plus, or you can go on the minus, but the zero keeps you even. Don't drift too far away off the centre because you'll become unbalanced,” said Tom Jr.

“The 101 simply represents his philosophy that he came up with to be able to stay on the straight and narrow. The more balanced you can stay, the more successful you can be in your life. He ended up being proof positive of that concept.”

The stone includes a quote from the Book of Genesis: “And Enoch walked with God: and he was not; for God took him.” Enoch was a patriarch, the great-grandfather of Noah, who is believed to have been taken directly to live with God, without having died. Tom Jr. said his father read the bible frequently and considered that passage an example of becoming closer to zero.

“When God finds that you understand what it is to be nothing, nobody, you put all your feats behind you and you become one with God. You can go plus or minus once in a while, but stay straight and narrow and if there is a relationship we have with God, God will recognize that and take you as he did with Enoch.”

Before becoming known for his songs and his trademark rhythmic stomping on stage, Stompin’ Tom struggled to survive. He grew up in poverty in Saint John, New Brunswick, and lived with an adoptive family in Prince Edward Island before leaving to hitchhike across Canada at the age of 15.

“Growing up not having really any family and no money and no home, and you're just a drifter, you see the world through different eyes,” said Tom Jr., who himself has a son named Tom, born last July. “When you have no friends and no family to talk to, you start to talk to yourself inside and you start to get the answers you need from life inside, instead of finding them on the outside.”

Stompin’ Tom’s tombstone was created by the Little Lake Cemetery Company in Peterborough, the city where he received his nickname. His memorial service was held there last year.

The lyrics engraved on the tombstone are as though the wind is speaking as it travels, saying it is, “Here to serve my Maker’s end.” The wind says it goes, “Around the Door, between gods and men, And if you see how I go in, You’ll have the Key, and know the wind”.

“That was his favourite song,” said Tom Jr. “People can take that as a nice song, or they can try to meditate on it a little bit.”

While The Hockey Song is one of Connors’ best known songs, he “never really clung on to sports”, said Tom Jr. He’d always cheer for a Canadian team and like many Maritimers grew up as a Habs fan, but he never had the luxury of playing the game. In front of his tombstone fly three miniature flags, two Canadian and one Canadiens.

The chess piece designed into the stone is a reminder of the game that he did play with great passion. “He was a tough cookie to beat because he was capable of thinking several moves ahead, and he used that way of thinking in his own life too when he would plan his career,” said Tom Jr.

Universal Music Canada recently released Volume 01 of a collection of unheard recordings by Stompin’ Tom called Unreleased: Songs from the Vault. It includes old-time country songs from his repertoire in the 1950s, recorded starting in 2011.

“He just wants people to enjoy what he did in the time he was here, and if you're musically inclined at all, or any type of business that you may be in, to keep Canada high in your regards when you're doing your thinking and planning about what is the right thing to do,” said Tom Jr.

“It is a great country, and if you respect it, it will repay you back. He wants people to take the torch, so to speak, and go on forward and promote Canada the best they can. If they get a chuckle or two from some of his songs in the future, then he's done a good job.”